Screen and TV Studies (9718.3)
Available teaching periods | Delivery mode | Location |
---|---|---|
View teaching periods | On-Campus |
South Bank, QLD |
EFTSL | Credit points | Faculty |
0.125 | 3 | Faculty Of Arts And Design |
Discipline | Study level | HECS Bands |
School Of Arts And Communications | Level 2 - Undergraduate Intermediate Unit | Band 2 2021 (Commenced After 1 Jan 2021) Band 2 2021 (Commenced Before 1 Jan 2021) |
Learning outcomes
On successful completion of this unit, students will be able to:1. Employ on camera acting techniques at a developing level;
2. Apply scene and role analysis techniques in on camera performances;
3. Apply technical skills and knowledge in a video production;
4. Understand and apply knowledge of screen production processes, roles and protocols; and
5. Engage critically with a range of different screen theory concepts and with academic research processes.
Graduate attributes
1. UC graduates are professional - communicate effectively1. UC graduates are professional - display initiative and drive, and use their organisation skills to plan and manage their workload
1. UC graduates are professional - employ up-to-date and relevant knowledge and skills
1. UC graduates are professional - take pride in their professional and personal integrity
1. UC graduates are professional - use creativity, critical thinking, analysis and research skills to solve theoretical and real-world problems
1. UC graduates are professional - work collaboratively as part of a team, negotiate, and resolve conflict
2. UC graduates are global citizens - adopt an informed and balanced approach across professional and international boundaries
2. UC graduates are global citizens - behave ethically and sustainably in their professional and personal lives
2. UC graduates are global citizens - communicate effectively in diverse cultural and social settings
2. UC graduates are global citizens - make creative use of technology in their learning and professional lives
2. UC graduates are global citizens - think globally about issues in their profession
2. UC graduates are global citizens - understand issues in their profession from the perspective of other cultures
3. UC graduates are lifelong learners - adapt to complexity, ambiguity and change by being flexible and keen to engage with new ideas
3. UC graduates are lifelong learners - be self-aware
3. UC graduates are lifelong learners - evaluate and adopt new technology
3. UC graduates are lifelong learners - reflect on their own practice, updating and adapting their knowledge and skills for continual professional and academic development
Prerequisites
9713 Performance Skills 3Corequisites
9714 Performance Skills 4Incompatible units
None.Equivalent units
None.Assumed knowledge
None.Year | Location | Teaching period | Teaching start date | Delivery mode | Unit convener |
---|---|---|---|---|---|
2024 | South Bank, QLD | Semester 2 | 29 July 2024 | On-Campus | Mr Anatoly Frusin |
2025 | South Bank, QLD | Semester 2 | 28 July 2025 | On-Campus | Ms Lisa O'Neill |
Required texts
Croft, D. G. (Director) (1987) Michael Caine: On Acting in Film, Arts, and Entertainment. (Documentary) UK: BBC. Retrieved from https://www.youtube.com/watch?v=bZPLVDwEr7Y
DeKoven, L. (2006). Changing Direction: A practical approach to directing actors in film and television. Burlington, MA: Focal Press.
Hooks, E. (2004). The Actor's Field Guide: Acting notes on the run. Broadway, NY: Back Stage Books.
Goldberg, D. B. (2012). First-Time Filmmaker Fuck-Ups: navigating the pitfalls to making a great movie. Oxford: Focal Press.
Mollison, M. (2003). Producing Videos: a complete guide. (2nd ed.) Crows Nest, NSW: Allen and Unwin.
Rabiger, M. (2007) Directing: Film Techniques and Aesthetics (4th ed.). Oxford: Focal Press.
Reisz, K. & Millar, G. (2010) Dialogue Sequences. The Technique of Film Editing (2nd ed.). Oxford, UK: Focal Press. Pp. 65-78.
Bordwell, D., & Thompson, K. (2013). Film Art: an introduction (10th ed.). New York: McGraw-Hill.
Dancyger, K. (2013). The Technique of Film & Video Editing. Burlington, MA: Focal Press.
King, G. (2002). New Hollywood Cinema. London, UK: I.B.Tauris & Co. Ltd.
Kolker, R. (1998). The Oxford Guide to Film Studies. Ed. John Hill and Pamera Church Gibson. Oxford: Oxford UP.
Villarejo, A. (2013). Film Studies: the basics. Oxon, USA: Routledge.
Stevens, J. (1997) Actors Turned Directors: on eliciting the best performance from an actor and other secrets of successful directing. Beverly Hills, CA: Silman-James Press.
Participation requirements
Students are encouraged to attend all sessions to successfully complete the theoretical and practical requirements.
Required IT skills
Students are required to utilise free blogging software programs for their outward facing blogs.
The University of Canberra will provide video camera and related video production gear, editing software and systems, but students are advised to invest in external hard drives to back up their projects and footage.
Students will be required to use the online student management system Canvas
Work placement, internships or practicums
N/A