Major Live Action Project - Post-Production (9441.2)
Available teaching periods | Delivery mode | Location |
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View teaching periods | ||
EFTSL | Credit points | Faculty |
0.25 | 6 | Faculty Of Arts And Design |
Discipline | Study level | HECS Bands |
Discipline Of Creative And Cultural Practice | Level 3 - Undergraduate Advanced Unit | Band 2 2021 (Commenced Before 1 Jan 2021) Band 4 2021 (Commenced After 1 Jan 2021) Band 4 2021 (Commenced After 1 Jan Social Work_Exclude 0905) |
Learning outcomes
On completion of this unit students will be able to:1. Collaborate successfully with fellow filmmakers and director on the post-production phase of a documentary, drama or experimental short film;
2. Display a practical understanding of all the different aspects of short film and video post-production and bring the film to a fully completed stage;
3. Work to a post-production plan and schedule.
Graduate attributes
3. UC graduates are lifelong learners - adapt to complexity, ambiguity and change by being flexible and keen to engage with new ideas3. UC graduates are lifelong learners - be self-aware
3. UC graduates are lifelong learners - evaluate and adopt new technology
3. UC graduates are lifelong learners - reflect on their own practice, updating and adapting their knowledge and skills for continual professional and academic development
2. UC graduates are global citizens - communicate effectively in diverse cultural and social settings
2. UC graduates are global citizens - make creative use of technology in their learning and professional lives
3. UC graduates are lifelong learners - reflect on their own practice, updating and adapting their knowledge and skills for continual professional and academic development
3. UC graduates are lifelong learners - be self-aware
Prerequisites
NoneCorequisites
None.Incompatible units
9262 Major Live Action Project - Post-ProductionEquivalent units
NoneAssumed knowledge
NONEYear | Location | Teaching period | Teaching start date | Delivery mode | Unit convener |
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Required texts
Chandler, C 2004, Cut by cut: editing your film or video, Michael Wiese Productions, Los Angeles, USA.
Dmytryk, E 1984, On film editing, Focal Press, New York, USA.
Katz, SD 1998, Film directing cinematic motion, Michael Wiese Productions, Los Angeles, USA.
Murch, W 2001, In the blink of an eye: a perspective on film editing, Silman–James Press, Los Angeles.
Murch, W 2002, Conversations: Walter Murch and the art of editing film. Knopf Publishing Group, New York.
Pepperman, RD 2004, The eye is quicker: making a good film better, Michael Wiese Productions, Los Angeles, USA.
Rabiger, M 2003, Directing, film techniques and aesthetics, 3rd edn, Oxford, UK.
Reisz, K 1989, Technique of film editing, Focal Press, New York, USA.
Link to search page for eReserve (electronic materials)
Participation requirements
Non participation may have a negative impact on a student's grade because they miss key learning opportunities.
Required IT skills
Proficiency in word processing and LearnOnline Moodle are needed
In-unit costs
.
Work placement, internships or practicums
None