- Works of Art
- Yvonne Audette, Sun's Rebirth
- G W Bot Hieroglyphs (Requiem)
- Arthur Boyd
- Alexander Boynes: Changing Places
- Robert Boynes, Observer and Observed
- Robert Boynes, Those Lifeless things
- Jan Brown, Magpies
- Hilary Crawford, Sugar Town and other works
- Fred Cress A Hidden Place
- Ray Crooke , The Islanders & Girl at Table
- Ante Dabro Reclining Figure
- Greg Daly Dawn & Dusk
- Neville Dawson: Dr Tom Calma
- Diane Firth, Bimbimbie
- Graham Fransella, Figure in the Sand
- Sally Gabori My Country
- Bernard Hardy, Canberra Series
- Bernard Hardy, Woolwinder
- Libby Hathorn by Myriam Kin-Yee
- Bevan Haywood Final Showdown
- Napanangka Katungka Kutjarr Kunya at Intinti
- Dale Huddleston, Mural
- Michael Johnson Ellamatta Mauve
- Abie Loy Kemarre Bush Medicine Leaf Dreaming
- Emily Kame Kngwarreye, Untitled, Awelye
- Warren Langley, The Collective Memory
- Doug Lawrie, Untitled Round Vase
- Michael Le Grand, Yo-yo.
- Sue Lovegrove: Vanishing #352
- Tim Maguire, Untitled
- Queenie McKenzie Mooloogoor Hills
- Ann Marie McMahon, The Two Walyers
- Sally Morgan The Circle and other works
- Ngoia Pollard Napaltjarii: Water Soakages near Nyrripi
- Walangkura Napanangka Kutungka Napanangka at Papunga
- Trevor Nickolls, Bird
- Sir Sydney Nolan: Night and Desert Landscapes
- Tiger Palpatja Wanampi Tjukurpa
- Ningura Papurrula Women's Ceremonies
- Peter Pedriau, Coverer in Yellow
- Minnie Pwerle, Women's Ceremonies
- William Robinson , Twin Falls
- Darby Jampijimpa Ross: Emu & Water Jukurrpa
- Tom Rowney, Black, White and Grey Merletto Bowl
- William Sandy, Bush Bean Dreaming
- Jörg Schmeisser, Here and Now, Echoes of the Past
- Brian Seidel, Autumn Pond and Tropical Pond
- Michael Taylor, Showers
- Imants Tillers: Home Visitation III
- Freddie Ngarrmaliny Timms, Mud Springs
- Mykal Zschech, various works
- Agni Klintuni Boedhihartono Mural paintings
- David Voigt Ravenhill Gate and other works
- George Gittoes, The Henna Tattoo
- Sydney Nolan: Mask VIII
- Judith Clingan, Shearing Top Naas
- Eris Fleming, Hillside Paddock
- GW Bot, Threnody
- Ante Dabro, Untitled Drawings
- Robin Nelson Drawings
- Colin Jordan, Intruder
- Stan De Teliga, Kydra River
- Dianne Firth, Black Opal
- Jack Featherstone, Alpine Ash Bark Painting
- Karla Dickens Second Skin
- One by Geoffrey Drake-Brockman
- Sculpture 19 by Derek F Wrigley
- Robin White wood cut series
- Graham Eadie,, Various works
- Peter Laverty, Seascape
- Paul Cavell, Postcard Incident
- Frank Hodgkinson, Black Cockatoo
- Brian Hirst Flat form Teal
- Warlimpirrnga Tjapaltjarri Marrawa
- Tommy Watson, Untitled, 2013 & 2016
- Sándor Györfi, Ignaz Semmelweis sculplture
- Jimmy Baker, Kalaya Tjukurpa
- Ian Henderson, Where is your heart and other works
- Maringka Baker: Kalinpil
- David Miller: Inarki
- Robert Hannaford, Jean Blackburn
- Elizabeth Kruger: Blushing Banksias
- David Armfield, Morris's Vineyard
- Cecily Gibson, Untitled Stoneware Bowl
- George Baldessin, Ed25 & Untitled works
- Andrew Sibley, The Trolley Pushers and other works
- Keith Looby, Packaged Landscape
- David Rose- Magpie in Orange Tree
- Unknown artist: Japanese Wedding Kimono
- Salvatore Zofrea, Various Works of Art
- Basil Hadley: Over Under the Trees
- Dacre Henry Deudreath Smyth: Towards Captains Flat
- Nancy Parker, Main Street, Braidwood
- John Coburn, Various Works
- Geoffrey De Groen: Untitled
- Kenneth Jack: Normanton Station
- Elizabeth Rooney: Various Drawings
- Frances Jones: Still life works
- Margaret Olley: Interior
- Colin Moyston: Victoria Line
- Sven Hiroe: Various ceramic works
- Keiko Schmeisser: In the Fold and Stellar Reflections
- Les Blakebrough: In the Long Grass with Claudia Rose
- Anne Greenwood Untitled
- Bea Maddock Square II
- David Lu Spring Melody
- Cedric Flower Cooma Cottage and other works of art
- Sam Herman Red and Yellow Glass Vases
- Graham Kuo Harbour Mist and other Works
- David Schlunke Air
- Gillie and Marc: Love the Last Exhibition
- John Santry, Geese at Hill End
- Arthur Wicks, Stretcher
- Owen Piggott, Rock Platform
- Robert Pengiley, Various Works
- Heather Ellyard, Dust Storm
- Maximillian Feuering, Bellevue Hill Park
- William Fletcher, Banksia
- Richard and Dilys Brecknock, Various works
- Dick Roughsey, Various works
- Danus Loxton, The White Vase
- Fred Jessup, Boats and Shells
- Jean Conron, Flower Study
- Kevin Conner, Self Portrait with Bird and other Works
- Charles Blackman, The Girl with Dark Plaits
- Reg Livermore: Hydrangea
- Frank Knight Red Kangaroo
- Brian Dunlop Various Works
- Dennis Baker, Kimberley
- Ronnie Tjampitinpa: Untitled
- Art Collection Updates
- Art Collection Management
- UC Website
- On Campus
- Art Collection
- Works of Art
- David Lu Spring Melody
David Lu Spring Melody
David Lu, Spring Melody
The Artist
What is known about David Lu is a bit sketchy. Yet from what we do know is that David was born in Shanghai in 1913. He moved to Hong Kong in 1961 and then onto Australia and Canberra, in 1964. David served as an art teacher and lawyer as well as practicing art and calligraphy.
David Lu was proficient in painting Chinese watercolours and in Chinese caligraphy. Traditional Chinese watercolours use mineral and vegetable pigments premixed with glues. The main feature of Chinese watercolours is their luminosity and transparency. According Lian Quan Zhen, although there are similarities between western and eastern art traditions, there are a number of key differences. Firstly, Chiniese artists use their imagination to paint expressive interpretations of nature whereas the Western tradition has sought to faithfully depict the scenery. For Chinese artists, they are staying true to Taoist philosophy of achieving harmony with nature. A second difference is a matter of perspective. Chinese artists imagine themselves flying over maintains like birds to observe landscapes, creating a moving perspective. The goal is to invite the viewer to wander over and through the landscape. Chinese water-colourists use simplified minimal brushstrokes to delineate subjects as they see and feel them. Western artists tend to render objects according to light source to depict an object's surface.
There is also a significant cultural difference between western and Chinese water-colours in history. Chinese watercolours have a tradition going back beyond the Song Dynasty of the 1200s. Water-colours only become prominent in western traditions in the 18th Century with artists such as Cotton and Gilpin. This, perhaps, reflects different viewpoints to nature since from the 1750s the age of enlightenment and of reason in the Western World set to observe and view nature in a critical manner.
The Works of art
The University of Canberra holds four works of art by David Lu in its Art Collection. Three are watercolours depicting landscapes very much in the Chinese tradition- partly observation and embellished with imagination. The perspective and onlooker's view is much one of a bird looking down and across. Some of these landscapes were donated to the University to commemorate the tenth anniversary of the founding of the original College of Advanced Education. The fourth work by David is a traditional work of caligraphy titled 'Self Reliance' . Although the works of art are displayed in frames, these works are traditional Chinese scrolls and were meant to be viewed on special occasions only and then scrolled up and stored. How we view artworks differs between cultures and these play a major influence on their meanings too.
References.
David Lu, Centre for Australian Art, http://www.printsandprintmaking.gov.au/artists/19804/
Chinese Watercolors, A world of Luminosity and Transparency, https://www.theartofcalligraphy.com/chinese-watercolours
It's a small world, EAstern Art Meets Western Art, Artists network, https://www.artistsnetwork.com/art-mediums/watercolor/chinese-landscape-painting/