- Art Collection Updates
- Works of Art
- Yvonne Audette, Sun's Rebirth
- G W Bot Hieroglyphs (Requiem)
- Arthur Boyd
- Alexander Boynes: Changing Places
- Robert Boynes, Observer and Observed
- Robert Boynes, Those Lifeless things
- Jan Brown, Magpies
- Hilary Crawford, Sugar Town and other works
- Fred Cress A Hidden Place
- Ray Crooke , The Islanders & Girl at Table
- Ante Dabro Reclining Figure
- Greg Daly Dawn & Dusk
- Neville Dawson: Dr Tom Calma
- Diane Firth, Bimbimbie
- Graham Fransella, Figure in the Sand
- Sally Gabori My Country
- Bernard Hardy, Canberra Series
- Bernard Hardy, Woolwinder
- Libby Hathorn by Myriam Kin-Yee
- Bevan Haywood Final Showdown
- Napanangka Katungka Kutjarr Kunya at Intinti
- Dale Huddleston, Mural
- Michael Johnson Ellamatta Mauve
- Abie Loy Kemarre Bush Medicine Leaf Dreaming
- Emily Kame Kngwarreye, Untitled, Awelye
- Warren Langley, The Collective Memory
- Doug Lawrie, Untitled Round Vase
- Michael Le Grand, Yo-yo.
- Sue Lovegrove: Vanishing #352
- Tim Maguire, Untitled
- Queenie McKenzie Mooloogoor Hills
- Ann Marie McMahon, The Two Walyers
- Sally Morgan The Circle and other works
- Ngoia Pollard Napaltjarii: Water Soakages near Nyrripi
- Walangkura Napanangka Kutungka Napanangka at Papunga
- Trevor Nickolls, Bird
- Sir Sydney Nolan: Night and Desert Landscapes
- Tiger Palpatja Wanampi Tjukurpa
- Ningura Papurrula Women's Ceremonies
- Peter Pedriau, Coverer in Yellow
- Minnie Pwerle, Women's Ceremonies
- William Robinson , Twin Falls
- Darby Jampijimpa Ross: Emu & Water Jukurrpa
- Tom Rowney, Black, White and Grey Merletto Bowl
- William Sandy, Bush Bean Dreaming
- Jörg Schmeisser, Here and Now, Echoes of the Past
- Brian Seidel, Autumn Pond and Tropical Pond
- Michael Taylor, Showers
- Imants Tillers: Home Visitation III
- Freddie Ngarrmaliny Timms, Mud Springs
- Mykal Zschech, various works
- Agni Klintuni Boedhihartono Mural paintings
- David Voigt Ravenhill Gate and other works
- George Gittoes, The Henna Tattoo
- Sydney Nolan: Mask VIII
- Judith Clingan, Shearing Top Naas
- Eris Fleming, Hillside Paddock
- GW Bot, Threnody
- Ante Dabro, Untitled Drawings
- Robin Nelson Drawings
- Colin Jordan, Intruder
- Stan De Teliga, Kydra River
- Dianne Firth, Black Opal
- Jack Featherstone, Alpine Ash Bark Painting
- Karla Dickens Second Skin
- One by Geoffrey Drake-Brockman
- Sculpture 19 by Derek F Wrigley
- Robin White wood cut series
- Graham Eadie,, Various works
- Peter Laverty, Seascape
- Paul Cavell, Postcard Incident
- Frank Hodgkinson, Black Cockatoo
- Brian Hirst Flat form Teal
- Warlimpirrnga Tjapaltjarri Marrawa
- Tommy Watson, Untitled, 2013 & 2016
- Sándor Györfi, Ignaz Semmelweis sculplture
- Jimmy Baker, Kalaya Tjukurpa
- Ian Henderson, Where is your heart and other works
- Maringka Baker: Kalinpil
- David Miller: Inarki
- Robert Hannaford, Jean Blackburn
- Elizabeth Kruger: Blushing Banksias
- David Armfield, Morris's Vineyard
- Cecily Gibson, Untitled Stoneware Bowl
- George Baldessin, Ed25 & Untitled works
- Andrew Sibley, The Trolley Pushers and other works
- Keith Looby, Packaged Landscape
- David Rose- Magpie in Orange Tree
- Unknown artist: Japanese Wedding Kimono
- Salvatore Zofrea, Various Works of Art
- Basil Hadley: Over Under the Trees
- Dacre Henry Deudreath Smyth: Towards Captains Flat
- Nancy Parker, Main Street, Braidwood
- John Coburn, Various Works
- Geoffrey De Groen: Untitled
- Kenneth Jack: Normanton Station
- Elizabeth Rooney: Various Drawings
- Frances Jones: Still life works
- Margaret Olley: Interior
- Colin Moyston: Victoria Line
- Sven Hiroe: Various ceramic works
- Keiko Schmeisser: In the Fold and Stellar Reflections
- Les Blakebrough: In the Long Grass with Claudia Rose
- Anne Greenwood Untitled
- Bea Maddock Square II
- David Lu Spring Melody
- Cedric Flower Cooma Cottage and other works of art
- Sam Herman Red and Yellow Glass Vases
- Graham Kuo Harbour Mist and other Works
- David Schlunke Air
- Gillie and Marc: Love the Last Exhibition
- John Santry, Geese at Hill End
- Arthur Wicks, Stretcher
- Owen Piggott, Rock Platform
- Robert Pengiley, Various Works
- Heather Ellyard, Dust Storm
- Maximillian Feuering, Bellevue Hill Park
- William Fletcher, Banksia
- Richard and Dilys Brecknock, Various works
- Dick Roughsey, Various works
- Fred Jessup, Boats and Shells
- Jean Conron, Flower Study
- Kevin Conner, Self Portrait with Bird and other Works
- Charles Blackman, The Girl with Dark Plaits
- Reg Livermore: Hydrangea
- Frank Knight Red Kangaroo
- Brian Dunlop Various Works
- Dennis Baker, Kimberley
- Ronnie Tjampitinpa: Untitled
- Art Collection Management
- UC Website
- About UC
- Art Collection
- Works of Art
- Diane Firth, Bimbimbie
Diane Firth, Bimbimbie
Diane Firth, Bimbimbie.
The work of art, Bimbimbie, is a textile creation that really shows the passion Diane Firth has for textiles as a medium. Diane first began 'quilting' in 1982; progressing from making functional bed quilts for family and friends to producing art quilts for exhibition. Apart from foundation art training during her studies as a landscape architect, Dianne is basically self-taught in terms of sewing techniques. A regular exhibitor in Quilters Guilds and Canberra Quilters exhibitions, she has received numerous awards. Her work has been included in selected national and international exhibitions and Dianne is represented a number of private and public collections nationally. Dianne is also an Adjunct Associate Professor at the University of Canberra and Deputy Chairperson for the ACT Heritage Council.
The inspiration for this textile is the Vice Chancellor's residence, 'Bimbimbie', which sits on a high point of the University campus overlooking the rolling terrain incised by Ginninderra Creek. When the creek floods it takes on the colours of the earth. Many of Dianne's works are inspired by the landscape. In an article in 2001, Dianne states, 'Although we lived in Newcastle, my family owned a tow-roomed shack in the bush at Port Stephens where we spent a lot of holiday time. I roamed freely through the bush and deserted beaches, collecting bits and pieces, but mostly observing. From the locals I learned about plants and animals and the subtle features of the bush. I think this was the beginning of my love of the Australian landscape. There was also the annual New Year pilgrimage to the Blue Mountains and the contrast with the coast was always dramatic.'
'The most significant development in my recent work has come as a result of attending a Nancy Crow workshop in 1997 where I felt a strong affinity with what she was doing but rejected her mode of approach. I was inspired by her admonitions to free-up and her advice on establishing a body of work. Instead of piecing I started to tear and collage fabric, finding a new freedom in creating curves. I related these curves to patterns in the landscape...'
The University of Canberra is fortunate to have other examples of Dianne's works within its Art Collection. These include 'Black Opal' and Red River.